Tell us a little bit about yourself?
I’m an artist living and working in London. I’m known for work that at first glance seems like an antique print or a classical architectural drawing, but on a second look there is something subversive going on in the scene. I work across a few mediums, including copperplate prints, water-coloured technical drawings, and tapestries. I want all my work to look as if it would fit in at a grand country house – very traditional and conservative – adding a contrast to the contemporary subversive details within the actual composition.
I’ve done work that looks like an ordered architectural cross-section of a building, but it is being ransacked by a raging mob. I’ve made tapestries that seem to show a goddess being brought offerings, but the offerings are designer high-heel shoes and luxury handbags. The piece I submitted for the Hari Art Prize was a Piranesi etching of a renaissance building, but with a riot breaking out in front of it.