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The Hari Art Prize, in collaboration with A Space For Art is poised to become an integral part of The Hari London’s annual rolling art programme, celebrating the global roster of artistic talent attracted to London.

In 2023, from a list of over 1000 applicants, a short list of 20 artists were chosen by an elite panel of judges overseen by Dr. Aron Harilela, CEO and Chairman of Harilela Hotels Ltd. The three finalists were then announced at a VIP award event at The Hari on 15 November 2023, including runner up Joseph Fox!

Read all about him below…

Tell us a little bit about yourself?


I’m an artist living and working in London. I’m known for work that at first glance seems like an antique print or a classical architectural drawing, but on a second look there is something subversive going on in the scene. I work across a few mediums, including copperplate prints, water-coloured technical drawings, and tapestries. I want all my work to look as if it would fit in at a grand country house – very traditional and conservative – adding a contrast to the contemporary subversive details within the actual composition.

I’ve done work that looks like an ordered architectural cross-section of a building, but it is being ransacked by a raging mob. I’ve made tapestries that seem to show a goddess being brought offerings, but the offerings are designer high-heel shoes and luxury handbags. The piece I submitted for the Hari Art Prize was a Piranesi etching of a renaissance building, but with a riot breaking out in front of it.

Could you tell us about your overall experience participating in The Hari Art Prize?


It was very positive. Everybody has been great to deal with. I stayed at the hotel for a night, which was wonderful. The event put on for the prizegiving was lovely, and I got to meet lots of other very interesting artists.

Why did you feel it was important to enter The Hari Art Prize and where did you hear about the competition?


It’s a beautiful place to have your work displayed, in one of the nicest areas of London.

What is the story behind your winning piece?


I do a lot of modifications of old etchings. Giovanni Battista Piranesi was an 18th century Venetian architect and artist, very famous for his etchings of the great buildings of Italy. His work is incredibly structured and methodical – the buildings sit in the frame like huge solid blocks of granite – they are the epidemy of classical order. I like to take these compositions and then add some real chaos to them – riots, looting, parties, vandalism. I feel the tension between the order and chaos creates something with artistic merit.

The piece also works as a social document, commenting on the riots and unrest we have seen in the past few years. The piece selected for the Hari Art Prize shows a beautiful renaissance building converted to a row of high-end shops, and a riot has broken out in front of it, being held back by police.

It’s a piece full of details, that you can spend a long time with. I hope that it is decorative and beautiful, as well as having something to say.

 

What are your thoughts on the other pieces shortlisted?


There was some beautiful work in the show. I particularly liked the eerily calm and inviting oil paintings of Nina Ogden, and the kaleidoscopic collage work of Bethan Evans.

Are there any upcoming projects you want to talk to us about?


I’ve just started working with Andipa Gallery in Knightsbridge, so they will be selling more of my work. We plan to put on a big show very soon, so keep an eye out for that.

If people like my work, I have a book of my pieces that you could buy on Amazon. It’s called ‘The Art of J. G. Fox’ by Eric Matsodo.

I have recently done a large commission for UnHerd. They opened a new private member’s club in Westminster, and I created a centrepiece for the place – a big satirical political painting of a parade, showing all the different political factions you might find today.

I’m always active on Instagram too, at @jgfoxart or at my website www.jgfox.art.

Would you recommend The Hari Art Prize and encourage others to enter next year? If so, why?


It’s a lovely place to have your work up. It’s great for meeting other artists and people in the art industry. The top prize is very large for an open call, so there is always that, too. There is really no downside to entering your work, so I would definitely recommend it.

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