GOT HERE Array ( [strictly_necessary] => Array ( ) [functional] => Array ( ) [performance_analytics] => Array ( [0] => Array ( [0] => legacy [1] => [2] => ) ) [advertisement_targeting] => Array ( ) ) Meet Nina Ogden | Runner up of The Hari Art Prize 2024
Book a Stay
Book a Stay

Meet Nina Ogden


The Hari Art Prize, in collaboration with A Space For Art has become an integral part of The Hari London’s annual rolling art programme, celebrating the global roster of artistic talent attracted to London.

In 2024, from a list of over 800 applicants, a short list of 21 artists were chosen by an elite panel of judges overseen by Dr. Aron Harilela, CEO and Chairman of Harilela Hotels Ltd. The three finalists were announced at a VIP award event at The Hari in November 2024. Runner up Nina Ogden was presented with a £3,000 cash prize, kindly donated by The Hari’s CEO and Chairman, Dr. Aron Harilela.

Read all about her below…

Tell us a little bit about yourself?


I was born and grew up in Snowdonia in Wales and moved to London for my BA at Wimbledon School of Art. I now live with my family in East London. I completed my MA at the Royal College in 2023, before which I had a career as a Scenic painter for Film and television. My experience of working in this field continually feeds my art practice today.

Could you tell us about your overall experience participating in The Hari Art Prize?

It has made a huge difference to my art career.  I was delighted to be chosen as a finalist in 2023 and it led to some wonderful new connections, friends and invaluable studio visits. The hotel, the judges and the curators at ‘A Space for Art’ have all been so supportive and encouraging.  It’s hard being an artist and moments of validation and encouragement are invaluable.

Where did you hear about the competition?

I first heard about the Hari Prize while I was at the RCA. I saw a poster and was immediately drawn to the high calibre of judges. Whether I was accepted or not, it’s an opportunity for your work to be seen and in this case by some highly regarded art world professionals. The setting of a top hotel and location are obviously a draw too.

How did you feel becoming a runner up in The Hari Art Prize?


I was absolutely thrilled to even be considered for the prize. When I was encouraged to apply in 2024, I was hesitant, thinking it would never happen twice, so to come back a second time and win a prize is beyond my expectations.

What is the story behind your winning piece?

The world of entertainment is driven by illusion and trickery and working within these modes of reality has left me questioning the truth of what we see. I made holograms while I was at the RCA and researched the hyper-real.  I am left questioning how these worlds within glass, supersede the still life they depict.  My fascination with the artifice and technology continues. I enjoy the blurred line between art and reality, and I love the idea of piercing through the skin of the paint and into the world beyond.

I collaged various images for ‘Lycan’.  Some were from a simulated rain forest and some from artificially lit office plants, spotted on trips through the city.  Plants really lend themselves to collage, I think of them as nature’s curtains. They conceal and reveal in the same way. I tend to use a limited colour palette in oil and expose the wood ground.  The wood forces me to paint more gesturally as it’s so absorbent and sometimes rough. The panels take on an architectural existence like the theatre and stage.  The grain adds an extra earthly texture to work with.

Much of my life as a scenic painter, was spent on dark film stages with dramatic lighting. I am thinking about light and the suggestion of human presence.  Stage lighting is trying to synthesise real life, but being up close, reveals something different. I have literally added human presence into ‘Lycan’ A pair of eyes are hidden in the shadows suggesting there is something. watching behind the curtain.

What are your thoughts on the other pieces shortlisted?


The standard of work in the show is exceptionally high this year. Its inspiring to see a diverse and wide range of art practices in the same vibrant space. It’s great to be showing alongside some of my peers from the Royal College of Art.

What do you plan to do with the prize money?

Like many artists, I juggle a job and a family, so the extra money will allow me to spend more precious time in the studio. I can now order more wooden panels and paint to keep me going!

Are there any upcoming projects you want to talk to us about?

I am excited to have two pieces accepted into the Ashurst Art Collection at their headquarters in the London Fruit and Wool Exchange, Brushfield Street.

Would you encourage others to enter next year?

I would encourage other artists to apply for the Hari Art Prize It’s a wonderful competition to be part of and I must applaud the Hari for making it free to apply. A lot of competitions charge high application fees, this is a rare competition which makes it accessible to all.

Graphic of letter

Keep up to date with The Hari

To receive the latest news and offers from The Hari, please enter your email below:

Thank you for your email address. By submitting your information, you are opting in for marketing promotional content from The Hari. Please see our privacy policy for more information