The Hari x White Cube "Thresholds" Exhibition

Galuh Anindita lives and works in Yogyakarta, Indonesia. She is a multidisciplinary artist, jewellery designer. In 2015, she founded MAHIJA, a contemporary jewellery label through which she explores adornment as both an artistic and cultural language. Her collections merge craftsmanship with symbolic form, drawing from ancestral heritage, spirituality, and material memory. Her work reflects her ongoing interest in themes of mortality, remembrance, and resilience. Across her practice, Anindita reimagines the body as a living archive and a site of transformation – where philosophy, ritual, and feminine identity converge with contemporary design.

Christine Ay Tjoe lives and works in Bandung. Employing a graphic vocabulary of mark-making, smudging, etching and deliberate colouration, Ay Tjoe’s paintings explore the interconnectedness of the mind, body and soul. Much like the rest of her works, the piece currently on display features intricately layered marks, applied with a gestural fervour against a beige background that it appears as if form is emerging from a smooth void. Where this piece differs from the rest is in its absence of colour. The imagery appears to be undergoing a constant unfoldment, representing the sometimes strong and sometimes tenuous link between the mind and body; the individual and society; form and subject.

Kei Imazu lives and works in Bandung, Indonesia. She studied at Tama Art University, Tokyo. Imazu’s works address Indonesia’s colonial histories and the multiple stories and folklores shared across the archipelago, which often contain parallel themes to global mythological narratives. The digital sketches that form the basis for Kei’s paintings embody the speedy blurring of reality in our Information age. Random images bump rather than crash into each other in the resultant works. Her piece exhibited at The Hari Hong Kong is one of her softer compositions where form seems to melt into itself like the gentle onrush of sleep.

I Gusti Ayu Kadek Murniasih (Murni) was born in Tabanan, Bali, Indonesia. She later lived in Ubud, Indonesia, where she trained in the Pengosekan style of Balinese painting with I Dewa Putu Mokoh. Over the course of her career Murni explored female identity, sexuality and the body through intensely personal and vividly imagined worlds.

Jennifer Tee lives and works in Amsterdam. Working across sculpture, installation, performance, and collage, Tee explores experiences of cultural hybridity, identity and language. Jennifer’s interdisciplinary practice features a gentle use of materials that are bursting with the history of their traditions. Her Tampan Tulip series, for example, use pressed tulip petals to depict motifs drawn from Tampan, a ceremonial cloth from Southern Sumatra. Cultures and traditions crossed through this important trade route, which is apt because Tampan usually represented ships with the mast branching into the tree of life, evoking souls continuing into new lives. That her father migrated from Indonesia to the Netherlands adds another layer of interest for Jennifer in the movement of people and cultures. Exploring how the tension between culture, language, and destruction articulate questions of land rights, belonging, and ecology truly places her practice on multiple thresholds.